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SUMMARY: “The Sea Bop Legacy Band” honoring bassist Don Prell - Scott 
  Foster 3rd Fridays residency 
DTSTART;VALUE=DATE-TIME:20260620T023000Z
DTEND;VALUE=DATE-TIME:20260620T043000Z
UID:241763189239
DESCRIPTION:Jim Grantham\, saxophoneScott Foster\, guitarOllie Dudek\, bas
 sOmar Aran\, drums $20 Cover Charge / BYOBStudents $10\; Kids Free For Re
 servations call (415) 586-3733  These players will recreate a bit of th
 e “Sea Bop Experience\,” playing repertoire from that vast book compil
 ed 20 some odd years ago in tribute to the unique and inspired musical lif
 e of Don Prell\, who passed just recently at the age of 96\, still holding
  forth weekly at the Bayview Boat Club on Terry Francoise Way\, twixt the 
 basketball pavilion and baseball stadium.  For well over a decade\, Don 
 was a core member of\, and practically a labor contractor for\, the Chuck 
 Peterson Quartet--which started Bird &amp\; Beckett on the way towards leg
 itimacy as a jazz venue   There have been more than a few sites and men
 tors where young jazz players have honed their chops\, later to become las
 ting figures on the San Francisco jazz scene... those that haven't moved o
 n to New York and other centers of the jazz universe. Places like Keystone
  Korner\, where saxophonist Jim Grantham taught music theory in the halfli
 ght of a Sunday afternoon to young aspiring players like John Wiitala\, an
 d the Gathering Caffe on Grant Street where Bishop Norman Williams and BJ 
 Papa schooled Mike Olmos\, Joel Ryan and others. The Bay View Boat Club u
 nder Don Prell's hand was one such venue\, where Don held down a Wednesday
  night booking for decades with his ad hoc combo known far and wide as Sea
 bop\, comprising a flexible who's who of talented musicians\, from accompl
 ished colleagues to youngsters still wet behind the ears playing for tips\
 , cheap drinks and food in the company of the bassist\, whose resume dated
  back to the 1950s in Los Angeles clubs like The Haig in what's now Koreat
 own and on tour to New York\, Europe\, Africa and beyond with the Bud Shan
 k Quartet. He held a bass chair in the San Francisco Symphony for decades 
 along the way\, but he was never for a moment of his career anything but a
  jazz cat. There's never been anyone like him\, and he's sorely missed.
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